Author: Adam Moore (LÆMEUR) <adam@laemeur.com>
Date: January 3, 2014
On Home Pages
A Reminiscence and Rationale
It's funny to think back five or six years, when the question really started
getting asked a lot: "do you have a Facebook?" It wasn't an entirely
new phenomenon, as five years before that people were similarly asking
if you have "a MySpace" (tho' it was an order of magnitude fewer
people). And still, that wasn't an entirely new
phenomenon, either. Back in the dim, dark days of the late 1990s,
people were asking (again, an order of magnitude fewer still), "do you
have a homepage?"
That's what the in-the-know people were saying. "You gotta get on the web, man. You gotta make a homepage."
"Homepage" and "webpage" were sort-of interchangeable, but the gist was
the same: a document (HTML file), somewhere on the newfangled "web",
with all your vital information, either for your person (or persona) or
your business, and probably some links to other webpages, maybe some
photos of the family or your favourite TV character, and – particularly
if you were a Geocities user – some animated GIFs, blinking text, and an
eye-searing colour scheme which made the whole thing impossible to
read.
Your homepage was your presence upon the world wide web. It proved that not only did you exist, but that you were with it, you were in the now – and it did that in whatever mind-bending aesthetic you could eke out of HTML 2 & 3(1).
Facebook (or Google+ or Diaspora* or what-have-you) profiles serve
largely the same purpose today; they're your presence on not just the
web, but the wider inter-networked world. They show who you are, who
you know, and what you like. And, while the lustre has worn off and
this is no longer true of Facebook, or Twitter, or Pinterest, it will be
true of every "next big app": you'll sign-up, and that will show that
you're with it, you're in the now.
The benefit of these new ways, of the "social web",
over plain, old-fashioned web pages is that your profile, your online
presence, gets hooked-in to crude little proprietary messaging systems
that let us all give each other public pats on the back in the form of
"likes" and "plus-ones", and informative or thoughtfully-composed comments like "lol ur so
funny!". It also lets us look less boring by allowing us a means to
re-post interesting things that other people are doing; you might be a
complete potato, but look at all the interesting stuff you find on the
web!
The detriment, or one of the detriments, is that
all of this social interaction takes place in a dull, uniform, and
expressionless application interface. When you create a Facebook
profile, you're filling fields in a database that someone else
maintains. Your online presence is indexed data that Facebook or
Google or whomever collates into a dossier. On the other hand, when you
make a web
page, a dumb little HTML document, you're writing a letter to the
world. Even if your homepage is nothing more than a spartan exposition
of your curriculum vitae and little else, the document you create is
itself an expression of character. The data you choose to present, the
order in which you present it, the style, the wording – it's all an
expression of you. A homepage is a hand-crafted resumé; a social-networking profile is a Walmart job application.
So, what am I expressing by this plain, white page(2) of boring-looking
text? I mean, it might look to some the zenith of hypocrisy that I'd
criticize the "dull uniformity" of social media sites from a single
column of bare-bones HTML. Worse yet, it might also look like some kind
of
douchey hipster anachronism – some I'm-too-cool-for-Facebook wank to
score points with an elitist crowd that I'm not even sure of the name
for.
You will, of course, make your own judgement on that. Without going into the matter at length, I can tell you that what I hope this site's bare-bones approach to design expresses is an appreciation for simplicity, purposefulness, and the visual consonance of text. Sure, there's a bit of defiant anachronism at work, too. I'm lucky enough to remember the experience of the early web, when it was more authored and less generated, and I have to confess to at least some degree of unseemly nostalgia for those "good old days"(3).
—L.
E13
Notes
1. Nobody did shit with HTML 1. It looked too boring and academic for anyone to care, and it didn't have forms, so you couldn't take people's credit-card numbers.
2. It might not be white! Cool dudes who read web pages with Lynx or Links or w3m or what-have-you are probably reading this white-on-black. 'Cause they're cool dudes.
3. I must also confess that I abhor this bad old phrase.